Ruprecht-Karls-Universität Heidelberg: Informationen zur Veranstaltung: Film screening: Woman Demon Human (1987) directed by Huang Shuqin

Zurück zur Übersicht Dienstag, 02.07.2024

Mittwoch
19
JUN

18.00 Uhr

Film screening: Woman Demon Human (1987) directed by Huang Shuqin—China's first feminist film?

Huang Shuqin’s powerfully unorthodox drama Woman Demon Human is part biopic, part stage fantasy, part psychological mystery. It is based on the life of the female Beijing opera star Pei Yanling who was famous for portraying male roles on stage, especially the ghost-catching underworld god Zhong Kui. In the film version, Pei is called Qiu Yun, a young girl whose parents are Beijing opera performers. Qiu catches her mother making love with another actor, after which the mother abandons the family. Qiu then powerfully identifies with her father and consequently determines to inhabit a male stage persona. The film gives elliptical fragments of her career, from brutal training regimens, through dangerous flirtations, incipient fame and national renown.
Pei herself plays Zhong Kui, who manifests himself in Qiu Yun’s subjective point of view at moments of crisis in her life. The film’s most famous scenes stage imaginary encounters between Qiu Yun and her alter ego Zhong Kui, in a black undefined space splintered by mirror images, rent by the stresses of a fractured subjectivity. Called China’s ‘only genuinely feminist film’ by leading scholar Dai Jinhua, Huang’s film bravely disrupts biopic conventions from a female point of view, with stunningly inventive film technique, leaping in and out of Qiu Yun’s subjective world with brilliant confidence and technical bravura. (SK: https://iffr.com/en/iffr/2008/films/woman-demon-human)

Adresse

Institut für Sinologie

010.00.05

Voßstraße 2

69115 Heidelberg

Homepage Veranstaltung

https://www.zo.uni-heidelberg.de/sinologie/research/tls

Veranstalter

Institut für Sinologie

Homepage Veranstalter

www.zo.uni-heidelberg.de/sinologie

Kontakt

Institut für Sinologie

Alle Termine der Veranstaltung 'Taiwan Lecture Series 2024 ':

This year’s Taiwan Lecture Series is devoted to questioning Sinophone Authenticities from cross-sectional perspectives. Approaching the topic In Search for Home—Authenticity and Chineseness in Taiwan and the SinophoneWworld, it will consist of four sections, and offer views from art, politics, literature and gender studies. It will begin with a section “Contesting Home—Artistic Renderings” with Taiwan Sound and Visual Artist, FENG Chi-han (Taiwan/Hong Kong), a second section on “Post-Chineseness in Taiwan Politics” with SHIH Chih-yu (National Taiwan University), a third on “Travel Writing and Taiwan Identities” with LIN Shu-hui (National Taiwan Normal University), and a last on “Homing Feminism in the Sinophone World” with Paola ZAMPERINI (Northwestern University).

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Security community vs. Global South—Taiwan’s coloniality

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An Ontological Security Dilemma—Beijing, Washington Taipei

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ASEAN, SCO, and Taiwan’s Desecuritization Options

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